Rebecca Horn in Body Fantasies Solo Exhibition, Tinguely Museum, Basel, Switzerland News
Rebecca Horn «Paradise Widow» The black-feathered object (1975) consists of a 240-cm high instrument with internal wing braces that are matched to the body of a woman. They can be opened to reveal different parts of the body.
Les métamorphoses de Rebecca Horn, entre onirisme, spirituel et surréalisme — AWARE Archives of
Es sind Bewegungsmuster, die Rebecca Horn in einer Reihe von Skulpturen weiterentwickelte, so etwa in der einen nackten Körper umhüllenden Paradieswitwe (1975), in der balzenden Pfauenmaschine (1981), dem Hängenden Fächer (1982) oder dem Federrad Zen der Eule (2010).
Under the Skin Domus
Rebecca Horn gained international recognition with her mechanical objects and mobile sculptures, among them such works as Paradieswitwe, Spiralbad, the wall drawing Les Amants, produced as part of an action, and her expansive Circle for Broken Landscape. The light-and-sound installation Lumi re en prison dans la ventre de la baleine and Yin.
SHIFT HAPPENING REBECCA HORN EXHIBITION
Artist Rebecca Horn born 1944 Original title Paradieswitwe Medium Film, 16mm, shown as video, projection, colour and sound (mono) Dimensions Overall display dimensions variable Collection Tate Acquisition Presented by the artist 2004 Reference T11849 'Paradise Widow', Rebecca Horn, 1975
We love Rebecca Horn ⋆ The Art Room
Rebecca Horn gained international recognition with her mechanical objects and mobile sculptures, among them such works as Paradieswitwe, Spiralbad, the wall drawing Les Amants, produced as part of an action, and her expansive Circle for Broken Landscape.
Rebecca Horn Paradieswitwe (1975) Installation art, Female artists, Artist
Summary of Rebecca Horn. Rebecca Horn has a longstanding interest in the creation of magical objects, which she infuses with both tenderness and pain. Her work looks back to alchemical explorations by the female Surrealists, and forward to large-scale contemporary, poetic, and mechanical sculptures.
The (In)Animate World of Rebecca Horn Flash Art
Rebecca Horn gained international recognition with her mechanical objects and mobile sculptures, among them such works as Paradieswitwe, Spiralbad, the wall drawing Les Amants, produced as part of an action, and her expansive Circle for Broken Landscape. The light-and-sound installation Lumi¿re en prison dans la ventre de la baleine and Yin Yang, a work created especially for a Dsseldorf.
Wild, weird and wonderful Rebecca Horn part one
Als Studentin hatte Rebecca Horn ungeschützt mit Polyesterabgüssen gearbeitet und sich dabei eine Vergiftung zugezogen,. "Die Paradieswitwe" zum Beispiel: eine körpergroße Hülle aus.
Rebecca Horn Bank Austria Kunstforum Wien DE
Rebecca Horn Paradieswitwe (Paradise Widow) 1975 private collection. strong>Rebecca HornTailleur du Coeur (4) 1996 private collection. THE MACHINE SELF AND THE SQUIGGLE GAME. by Donald Kuspit My machines are not washing machines or cars. They have a human quality and they must change. They get nervous and must stop sometimes.
Digital Guided Tour Series Rebecca Horn PART 1 Bank Austria Kunstforum Wien EN
BIOGRAPHY ///// rebecca HORN . BORN . 1944 in Michelstadt, Germany; lives and works in Berlin and Paris. EDUCATION . 1963-70 Hochschule für Bildende Künste, Hamburg, Germany . 1971 St Martin's School of Art, London, UK . GRANTS and AWARDS . 2017 Wilhelm-Lehmbruck-Preis, Duisburg, Germany
Rebecca Horn Museum Tinguely Basel
Rebecca Horn, Paradieswitwe, Installation view at Tinguely Museum, Body Fantasies, 2019
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Rebecca Horn (B. 1944) , Paradise Widow Christie's
Dickel, Hans. "Rebecca Horn, Die Paradieswitwe." Die Inszenierung des Künstlers. Hrg. Freybourg, A, Berlin: Jovis, 2008. 31-35.
Rebecca Horn. Körperfantasien Museum Tinguely NICKL PR
Es sind Bewegungsmuster, die Rebecca Horn in einer Reihe von Skulpturen weiterentwickelte, so etwa in der einen nackten Körper umhüllenden Paradieswitwe (1975), in der balzenden Pfauenmaschine (1981), dem Hängenden Fächer (1982) oder dem Federrad Zen der Eule (2010).
The metamorphoses of Rebecca Horn Between dreaminess, spirituality, and surrealism — AWARE
Rebecca Horn - Am Kreuz, 2004. Photograph: Gunter Lepkowski/Courtesy of the artist and Sean Kelly. Horn spent much of her early life recovering from a range of maladies, and she reliably returns.
Eyes of the Fancy
»Paradieswitwe« Das Objekt (1975) mit den schwarzen Federn besteht aus einem 240cm großen Instrument mit inneren Flügelverstrebungen, die dem Körper einer Frau angepaßt sind. Sie lassen sich öffnen und Körperteile sichtbar werden.
Rebecca Horn Museum Tinguely Basel
In another work, Paradieswitwe (Paradise widow, 1975), an immobile figure—a symbiotically united female body and mythical bird—is offered as a symbol of a state between sensual life and death. (According to Horn, widowhood is a delicate instrument of martyrdom.). Rebecca Horn, Der Eintänzer (The dancing cavalier), 1978, still from color.